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Not that they are always automatically cosy. Photos of indoor life take on a particular hue in winter, set against the knowledge of the weather beyond the windows. In these photos one is reminded keenly of the sensation of being cold: the clothes it requires, the postures it provokes, the biting exhilaration and numb extremities it offers, the relief found in retreating afterwards to the welcome embrace of central heating or lit fires. Many images, too, dwell more fully on those out in the elements, whether the focus is on a delivery man hefting two hog carcasses over one shoulder in Chinatown while snow drifts down, yellow jacketed commuters on a chilly metro platform, Japanese families fishing for shimiji clams in minus eighteen degrees, or, as in Hiroji Kubota’s striking 1982 photo from Inner Mongolia, two young boys in warm coats, each perched on a magnificent camel decked out in its thick winter fur.

Others, as explored above, let the photograph’s inhabitants remain as silhouettes, or hint at humans tucked away elsewhere: their presence indicated in car tail-lights and windows where the glow spills out around closed curtains. Some of these images are unpeopled, suggesting a world that renews itself year on year, shedding its leaves and standing stoic through the elements until the ground thaws out once more. On the one hand there is that vast world beyond the front door: ghostly forests, frozen waterfalls, Nordic islands, scrawny park railings swallowed by mist, waves frothing over cold shingle, Venice looking melancholy under grey skies, damp Welsh streets after dark. If you have specific questions or information about content, the website, and applications, please contact us.It is a line that neatly divides many of the wintery images in Magnum’s archives, too.

SNOW SCENERY HEADER ARCHIVE

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